The article traces the framing of Muslim Europeans as the continent’s Other by focusing on the silencing of queer Muslims within public debates around ‘Islam and homosexuality’. Ignoring class as a factor in the violence produced by the gentrification of urban spaces, the pitting of the gay community against the Muslim community posits the latter as a threat to the continent’s foundations that needs to be contained through forms of spatial governance in line with the neoliberal restructuring of the city. (...) Maintaining that this is a Europe-wide phenomenon, the article looks at Amsterdam as exemplifying the European metropole as a site of pseudo-homophile Islamophobia. Simultaneously, with activist groups like the queer of color collective Strange Fruit, it is also representative of the strategies of resistance developed by groups whose presence is virtually erased through culture clash discourses, namely queer Muslims. The article argues that an intersectional queer of color activism, as practiced by Strange Fruit, and a queer of color critique building on it, allows to undermine binaries from the Muslim/european dichotomy to the normative coming out narrative, invariably positioning queers of color as ‘not properly gay’. (shrink)

This article explores the possibility of mutual legitimation between Sunni religious foundations and Abbasid political interests. The main argument centers on anecdotes that elevate the images of al-ʿAbbās as imam and of his son Ibn ʿAbbās as the expert of the science of hadith. It shows the overall relation between historical and religious anecdotes, and how the medieval reader could not accept the authority of hadith collections from their first student, Ibn ʿAbbās, without accepting the political primacy of the Abbasid (...) family from the early days of Islam. (shrink)

Brain–machine interfaces are systems that allow the control of a device such as a robot arm through a person’s brain activity; such devices can be used by disabled persons to enhance their life and improve their independence. This paper is an extended version of a work that aims at discriminating between left and right imagined hand movements using a support vector machine classifier to control a robot arm in order to help a person to find an object in the environment. (...) The main focus here is to search for the best features that describe efficiently the electroencephalogram data during such imagined gestures by comparing two feature extraction methods, namely the continuous wavelet transform and the empirical modal decomposition, combined with the principal component analysis that were fed through a linear and radial basis function kernel SVM classifier. The experimental results showed high performance achieving an average accuracy across all the subjects of 92.75% with an RBF kernel SVM classifier using CWT and PCA compared to 80.25% accuracy obtained with EMD and PCA. The proposed system has been implemented and tested using data collected from five male subjects and it enabled the control of the robot arm in the right and the left direction. (shrink)

El presente trabajo tiene como marco de análisis general a la teoría chomskyana conocida como ‘Principios y Parámetros’. En particular, se estudia una parcela de esta, la denominada ‘Ligamiento’. En primer lugar, se hace una presentación de los aspectos generales de la teoría, atendiendo particularmente al enfoque internalista que esta adopta, y de acuerdo con el cual se buscan caracterizar los aspectos mentales y constitutivos de la Facultad del Lenguaje. Para ello, se pone especial atención a las afirmaciones del autor, (...) por lo que la presentación tiene un fuerte carácter textual. Dicha presentación posibilita identificar la estrategia que se persigue a los fines de dar cuenta del fenómeno del lenguaje y, por tanto, a la relación que se establece entre el explanandum y el explanans. A fin de encuadrar el objetivo explicativo de la teoría, se recurre a la propuesta de niveles de explicación de Marr. Posteriormente, se enmarcan los límites de la parcela Ligamiento, tras lo cual se ofrece una reconstrucción formal, la que se elabora desde la perspectiva de la Metateoría Estructuralista. Para ello, se hace una previa y detenida presentación de los datos lingüísticos, los que a modo de ejemplos paradigmáticos ilustran el tipo de fenómeno del lenguaje al que Ligamiento se aplica. Con ello se llega a una caracterización informal de las afirmaciones de Ligamiento. Finalmente, se ofrece la reconstrucción formal. (shrink)

Este artículo se interroga sobre el alcance y consistencia de la “teoría estándar de los mundos posibles” en el pensamiento de Leibniz. La tesis defendida es que el actualismo subyace en el corpus leibniziano como un fondo de tensión que impide clausurar la metafísica leibniziana de los MP a partir de una sola interpretación sobre el origen de las cosas. Para ello, se ofrece una periodización en tres etapas de las explicaciones de Leibniz al respecto: 1. un modelo actualista puro; (...) 2. un modelo emanantista y otro creacionista, ambos coexistentes e interpretables tanto en términos posibilistas como actualistas; 3. un modelo actualista de “voluntad resultante”. Nuestro objetivo no es tomar partido por uno u otro modelo, sino mostrar que todos ellos conviven en la literatura leibniziana como elementos que dislocan dentro de una única y relativamente cerrada interpretación. (shrink)

El tema de la prioridad conceptual del mundo de la vida con relación a cualquier especulación científica abstracta es el tema recurrente en los escritos tempranos de Alfred Schutz. En ellos, la reflexión en torno al mundo de la vida se constituye como la base y el fundamento para la posterior formación de conceptos en ciencias sociales. Particularmente inten-tamos recuperar lo puede denominarse como “reivindicación epistémica” de una sociología del mundo de la vida. Esa reivindicación se enmarca en el proyecto (...) schutziano de fundamentación fenomenológica de las ciencias sociales, cuyos orígenes pueden rastrearse en las discusiones entabladas en el marco de la Escuela Austríaca de Economía. La reconstrucción de este debate nos permitió pensar el vínculo entre mundo de la vida y razón científica, de modo tal de evitar la sustitución de la realidad social por las idealidades y abstraccio-nes creadas por la ciencia.The question of conceptual priority of the life-world in relation to any abstract scientific speculation is a recurrent topic in Alfred Schutz´s early writings. There, the reflection on the life- world is constituted as the basis and the foundation for the posterior formation of concepts in social sciences. In particular, we will try to regain something that we could name “an epistemic claim” of a sociology of the life-world. This claim is part of Schutz’s project of phenomenological foundation of social sciences, which origins can be found in discussions among the members of Austrian School of Economics. The reconstruction of this debate has enabled us to think the link between the life-world and the scientific reason, in order to avoid the substitution of social reality by idealizations and abstractions created by the science. (shrink)

El artículo se propone recuperar la potencialidad analítica de la perspectiva fenomenológica de Alfred Schutz, para reflexionar acerca de temas vinculados a “lo político, las identidades y la transformación del orden social. Para ello, desarrollaremos, en primer lugar, algunos lineamientos propuestos por Ernesto Laclau y Jacques Rancière en torno a esas nociones. Nos interesa particularmente plantear el momento del surgimiento del campo “lo político” en relación con el orden social y el rol que cumplen las identidades en ese surgimiento. En (...) segundo lugar, se intentará establecer un diálogo entre estas perspectivas y la fenomenología schutziana a fin de arrojar la luz sobre esos ejes analíticos implícitos en la obra del autor. (shrink)

Actualmente la educación requiere la autonomía en el aprendizaje de los alumnos. Por ello, se realizó la siguiente investigación usando el aula invertida como metodología para mejorar la autonomía de los alumnos en materias como Desarrollo Humano, Instrumentos de Evaluación y Estrategias de Enseñanza de la Lengua Inglesa.Desde septiembre de 2021, los alumnos del programa educativo de Técnico Superior Universitario en Lengua Inglesa, trabajaron de manera híbrida, por esta razón, la metodología del aula invertida fue una herramienta útil para desarrollar (...) las competencias requeridas por el programa educativo, además de la autonomía. (shrink)

The Abbasid caliphate covers about five centuries; It represents a period when fiqh/theological sects were formed, classical works on Islamic sciences were compiled, and important historical, scientific, and cultural centers such as Baghdad were established. The influence of this period on Muslim societies continues to this day. Based on this, the Abbasids; It is the subject of research in terms of religion, history, and politics. Tayep al-Hibri's work named "The Abbasid Caliphate -A History-" which has gained a well-deserved reputation with (...) the research he published on this subject is one of the most important among them. The author, who examines the caliphate as an institution, also shows its effects in the modern world. According to him, the leadership, whose absence was felt with the death of the prophet in the period of caliphates, was tried to be replaced by considering the religious and political spheres together. The author describes the Umayyad period as a reign in which religious sensitivities remained in the background. A religious comparison between this period and the Abbasids constitutes one of the main goals of the author in the book. According to the author's assumption, the Umayyads adopted a spruce management style. The Abbasids, on the other hand, appealed to the religious understanding of the society they ruled by ascribing a religious meaning to their politics. Recent studies on the religious policies of the Umayyads and Abbasids do not prevent us from rejecting the author's hypothesis. (shrink)

Parable and Politics in Early Islamic History: The Rashidun Caliphs. By Tayeb el-Hibri. New York: Columbia University Press, 2011. Pp. xiii + 466. $60.

Beginning from the ancient times human has always valued the historical individuals and events and by exaggerating their features and circumstances have created mythical and audacious characters and phenomena. In the history of Islam the same is true regarding the Prophet Mohammad in its unique manner, that accounts for his spiritual ascension and a mythic horse named Boraq. The wonder of the ascension somehow highlighted the other events of in the Prophet Mohammad's life and since "horse" has been an essential (...) element in human life and no heroism was not accomplished without it, in a short span of time Boraq was converted into a super-natural and mythical being. Based on the available sources the Boraq has to unique features that make it be different from other mythical horses: it was brought from the heavens by an angle and the horse shaped body had a human(female) head with two big wings, a combination of human, animal and bird. This extra ordinary creature the existence of which beyond imagination in reality is a mythical being the unique features of which is acceptable only by correlating them to the eminent symbols and archetypes acknowledge by C.G.Jung. In this perspective eminent horse with a human head represent and image of the prophet unconscious Anima where the four legs justify the four stage of Anima and the big wings are the conception of the transcendence, holiness and motion toward the heavenly realm. (shrink)

This extended introductory article sets the scene for consideration of liquid modernity and Bauman’s recent work in general. His ideas are placed against Pollock’s concept of the ‘trans-disciplinary’. The ramifications of Bauman’s work for cultural analysis are discussed, particularly his ideas about migration, tourism, borders and the impact of global social trends on citizenship and agency. One central theme is deterritorialization - both in terms of academic disciplines and the shift from solid, defined, localized, territorialized, nation-bound modernity to the liquid (...) modern. (shrink)

Griselda Pollock provides concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art, exploring the writings of Elizabeth Siddall, Mary Cassatt and Berthe Morisot.

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present (...) gender demarcations? (shrink)

Generations and Geographies brings together a collection of artists, critics and researchers to consider the question of sexual difference and its significance in the production and reception of visual representation by women artists.

This article deals with the problem of justification of war in the light of Leibnizian natural right and deontic definitions. From an analysis of the principles of rationality on which, according to Leibniz, the justification of an act is based, it proposes “deontic types of war” - namely: justifiable wars (whether just or facultative), just wars (defensive war, war of cooperation), facultative wars (preventive war, humanitarian intervention), unjust wars (war of aggression, war of extermination, terrorism) -, which express the modality (...) according to which their agents are constrained to act, namely: authorized, necessarily justified, contingently justified or unjustified to the military action. This modalisation is illustrated by a “war casuistry”, mostly taken from Leibniz’s reflections on the wars of his time. As it will be seen, our hypothesis states that the sufficient reason for a war is at bottom identified with the principle of the best, whose application requires an examination of the consequences of action in different possible scenarios. (shrink)

From its very beginning, sociological thought has been concerned with a topic central to our daily lives: social distance. Since inception, the concept of social distance has referred to the relationships of familiarity and strangeness between social groups, which is experienced in the social world in terms of “We” and “They”. This article covers the main tenets of a Schutzian phenomenological approach to the study of social distance and group relationships. Specific focus is placed on the different attitudes and valuations (...) of the in-group towards the out-group considered as a stranger, the invisible excess of meaning that emerges in these types of social relationships and the conceptual construction of the Other that explains the phenomenon of discrimination. (shrink)

In 2018, the Bauman Institute and the Centre for Cultural Analysis, Theory & History, both based at the University of Leeds, initiated a transdisciplinary programme to assess the legacies of Zygmunt Bauman, whose prolific writings we felt to be profoundly relevant to the multiple challenges of the 21st century. In this special issue of Thesis Eleven, we are marking just over three years since the death of Zygmunt Bauman by bringing together some of the contributions to that programme in order (...) to revisit, elaborate, and crucially to extend his intellectual archive. Taking Bauman’s revision of contemporary social realities as a point of departure, each of the participants in this special issue re-examine – critically but also generously – the many questions Bauman asked, tried to answer, and imbued on the way with new and sometimes shocking insights. This paper surveys those contributions by way of introducing the special issue. (shrink)

Bracha Ettinger (formerly known as Bracha Lichtenberg Ettinger) is an Israeli-born Paris-based artist, analyst and feminist theorist who has produced over the last decade a major theoretical intervention through a tripartite practice. This article offers an expository introduction and overview of core aspects of her theoretical contribution while relating it to major trends in feminist and general cultural theory of subjectivity, hysteria, memory, trauma and the aesthetic. Organized in several parts, each section addresses the developing vocabulary, terminology and significance of (...) her work. With core concepts are Matrix, metramorphosis, trans-subjectivity, co-poïesis, co-emergence and co-affection, Ettinger’s theory opens out beyond the blind spots of advanced feminist thought. From its independent and original theorization of subjectivity-as-encounter and an-other sexual difference, Bracha Ettinger challenges our attempts to think about femininity associated with the work of Julia Kristeva and Luce Irigaray. Linked to, but distinct from, the philosophical speculations of Deleuze and Levinas, this work creates a transferential theoretical space for Jewish and feminine difference, sexuality, subjectivity and the traumatic residues of modern catastrophe that has major repercussions for cultural, aesthetic, ethical, political and psychoanalytic theory. (shrink)

Leading scholars offer new readings of Degas1 representations of the family, prostitution, city life and leisure in which looking at women is shown to be a complex and ambiguous process. One major topic of the book is the encounter between feminism and art history. Having put images of women1 on the agenda of cultural analysis, feminist interventions in the theory and analysis of representation have created a diverse and intricate field of interpretation which now supersedes that formulation. These essays challenge (...) art history to confront issues of spectatorship, the interface of class and gender, identification and the politics of vision. This illustrated collection is thus a major contribution to debates on representation and sexuality. (shrink)

This paper proposes a conversation between Charlotte Salomon and Edvard Munch that is premised on a reading of Charlotte Salomon’s monumental project of 784 paintings forming a single work Leben? oder Theater? as itself a reading of potentialities for painting, as a staging of subjectivity in the work of Edvard Munch, notably in his assembling paintings to form the Frieze of Life. Drawing on both Mieke Bal’s critical concept of “preposterous history” and my own project of “the virtual feminist museum” (...) as a framework for tracing resonances that are never influences or descent in conventional art historical terms, this paper traces creative links between the serial paintings of these two artists across the shared thematic of loneliness and psychological extremity mediated by the legacy of Friedrich Nietzsche. (shrink)

This article takes as its provocation Marx's intriguing statement about the disjunction between the flowering of Greek art and the underdeveloped stage of social and economic development made as an epilogue to the Introduction to the Grundrisse in order to ask what are the relations between that which has been considered art and what Marx calls `production as such'. In the elaborated conditions of contemporary capitalist societies, we can ask: Is art still being made? To examine this question I juxtapose (...) what Bauman has called `thinking sociologically' with a proposition that art thinks aesthetically. So how can art historians deal with that challenge of thinking aesthetic practices both socially and historically? I track a genealogy of art historians (Clark, Antal, Shapiro) who have attempted to think socially about artistic practices. This leads into a section about the necessity for both sociological and aesthetic education if we are to avoid totalitarianism or free-market individualism (Bahro). Finally, thinking sociologically, by taking as a case study the work of Aby Warburg, I explore the technological conditions of art historical production itself particularly in relation to photography and the way this shapes our access to the image. Warburg represents the possibility of another model for art historical thinking about the image as Kulturwissenschaft, a parallel to Sozialwissenschaft in its ambition and relation to the great intellectual revolutions c.1905 (Freud, Bergson, Einstein, Hussserl). Like Marx, Warburg questioned the continuity of the imaginary space of art thinking in the age of technological industrialism. Where art is now, where art history is, are not just sociological questions to which Marx might offer a dismal answer. I conclude that what is necessary is a constructive conversation between thinking sociologically and thinking aesthetically, knowing synthetically and knowing for oneself — curricular issues made more intense by the shared conditions in which all intellectual production is being transformed in contemporary sites of intellectual practice, the university, by `production as such' leading thought to risk the same fate as art in contemporary society, as Marx hypothesized. As a final thought, I suggest that in contemporary art work that confronts trauma and catastrophe, often using new technologies as aesthetic processes, we may find a counter-argument. (shrink)

The statement that an important dualism runs throughout sociological literature belongs to what can be called extended “sociological common sense”. In this context, Alfred Schutz’s phenomenology is often used critically as a paradigmatic example of subjectivism, as it supposedly places exclusive emphasis on actors’ “subjective” interpretations, thereby neglecting “objective” social structures such as power relationships. This article proposes that not only do those characterizations have dualistic grounds, but they also disregard the explicit intention of phenomenology to overcome the dualism between (...) subjectivism and objectivism. The various criticisms directed at the Schutzian paradigm will be confronted with an analysis of the phenomenon of power based on Schutz’s theory of the life-world, in particular his theory of relevance. This theoretical perspective will be replenished by reflections on power as a meaning selection, which specifically allow the hiatus of subjectivism and objectivism to be overcome. (shrink)

Feminism has been a major force in the reshaping of recent art. The women's movement has given new confidence to women who work in the visual arts; it has opened up new areas for art to deal with and challenged existing systems of values and imagery in the arts. In their comprehensive introduction, Rozsika Parker and Griselda Pollock provide a richly illustrated history of the British women's art movement, covering the major events and debates in feminist art practice which (...) have taken place over the last fifteen years. They also examine the trends, the conflicts and the new directions of the 1980s in which issues of race, as well as gender, have necessarily become prominent. Griselda Pollock goes on to explore the place of feminist art in the context of post-modern culture, arguing that feminism is one of the most important and radical interventions in both modernism and post-modernism. --back cover. (shrink)

The paper aims to analyze the potentiality of Schutzian phenomenology to account for the problem of social order. Firstly, we expose the existence of an interpretive scheme of Parsonian roots in contemporary social theory that introduces the dualistic dilemma subjective action versus social order in the analysis of Schutz’s perspective. According to this interpretive scheme, Schutz fails to master the problem of social order. Secondly, and in clear opposition to those interpretations, we show three main contributions which have put forward (...) the argument that it is possible to find in Schutz’s work a theory of social order: Harold Garfinkel’s early writings, the recent Austrian School of Economics’ reception of Schutz and the present-day interpretation in German sociology. In the context of these discussions, our reflections have explored the pragmatic dimension of the order of the life-world based on a phenomenonological constitutive analysis which provides a basis for a comprehensive theory of social order of Schutzian roots. (shrink)

For a few decades, the debate about the dominant economic theory has focused on the epistemological problems caused by the use of objective categories or “intellectual abstractions,” which involved “oblivion,” or disconnection of social actors understood as concrete persons. In Husserlian terms, this genuine “crisis of the sciences” meant the loss of the life-world as the substratum and foundation of all scientific knowledge. In the context of these discussions, the phenomenological sociology of Alfred Schutz has much to say on the (...) issue. Our article will assert that the postulate of adequacy and its inseparable pair, the postulate of subjective interpretation, have important methodological implications for economic research. (shrink)